On a cold January morning, gis_sweden sat in their studio, wires snaking across the desk, dials glowing softly. The forest outside lay silent, but in their mind, the birds still sang. Inspired by their calls, they crafted a melody on a modular synth, its tones shaped by a square wave controlled pulse. An LFO-controlled reality warped the sound, bending time like ripples in a frozen lake. Analog delay stretched each note into an endless echo, like bird songs lost in the wind. Hours of studio work led to something new—Square Wave LFO Controlled Reality, a song where nature met the machine.